learn from keepers of the tradition
the music, the technique, the lore, the joy
Our teachers are extraordinary musicians who either grew up within their musical traditions or have devoted a major portion of their lives to learning and understanding its subtleties. They are highly gifted teachers - personable, approachable, attentive - who are eager to pass on their technical skills and lore to students.
the music, the technique, the lore, the joy
Our teachers are extraordinary musicians who either grew up within their musical traditions or have devoted a major portion of their lives to learning and understanding its subtleties. They are highly gifted teachers - personable, approachable, attentive - who are eager to pass on their technical skills and lore to students.
Teaching Staff for 2018
Yann Falquet - Guitar, Singing
Yann Falquet is a truly active and creative acoustic guitar player on the Québécois music scene. He has explored many styles of music and completed a Bachelors degree in Jazz. Since then, he has developed a personal guitar style for Québec folk music, inspired by the playing of the accompanists of different cultures (Brittany, Scandinavia, Ireland, North America, etc). His involvement in traditional music scene brought Yann to perform on numerous recordings, and to regularly tour throughout Canada, the United States, Europe and Australia. He also toured for three years with the award winning celtic/world group The McDades. Yann had the opportunity to teach at the Irish World Academy of Music and Dance in Limerick, at the Goderich Celtic College as well as at the Alasdair Fraser's Fiddle Train and Sierra Fiddle Camp. see yann here
Karine Gallant - Acadian and PEI Fiddle, Step Dance
Karine asked for a fiddle at the age of three. A fiddle player from the Évangéline region, Karine studied traditional music at Le Cégep régional de Lanaudière à Joliette after several years of learning music from well known fiddler Kim Vincent on PEI. She went on to study traditional music in Joliette, Québec, and travelled to Ireland and Sweden to perfect her knowledge in traditional styles. Over the years, Karine has played in different productions and with bands, adjusting her bowing and ornaments to the needed style. An eloquent Irish musical scholar said that “She plays like a young Tommy Potts,” and this equal commendation is shared with those in the traditional music circles of Quebec and PEI. see karine here
Sarah Hotchkiss - Novice Fiddle, Banjo
A native Vermonter, Sarah teaches to all ages at her private studio, Woodbury Strings, in Montpelier, Vermont. She was the Musical Director of The Vermont Fiddle Orchestra for many years, and plays fiddle and banjo with the Damn Yankee String Band as well as the fiddle/banjo duo, High-Low-Jack. She has also taught at numerous fiddle camps, workshops, and weekly fiddle groups in Northern Vermont and New Hampshire, as well as thirteen years of teaching strings in public and private schools around Vermont. Because of her varied musical and teaching background, along with exposure to a wide range of fiddle styles, she has developed a special expertise in teaching technique to beginning and intermediate level musicians of all ages and backgrounds. see sarah here
David Kaynor - Dance Calling, Swedish Fiddle, Harmony
David Kaynor began playing fiddle in 1974, and started calling local contra dances in Western Massacussetts around 1980. Over the last two decades, he has become increasingly involved as both fiddler and caller in the New England and national contra dance scenes. He has been on staff at Northern Week at Ashokan 32 years, and at Contra Dance Musicians' Week at the John C. Campbell Folk School 20 years. He has also played for and taught dancing at Pinewoods, Buffalo Gap, Mendocino, the Lady of the Lake, Ogontz, Summer Acoustic Music Week, Suttle Lake, Wannadance Uptown and a myriad of other camps, workshops and music events around the country. In addition, he has worked with and for a lot of really wonderful people in a lot of great places such as The Festival of American Fiddle Tunes, Wintergreen dance weekend, Upper Potomac Fiddlers' Retreat, and more. Most recently he became the music director of the Vermont Fiddle Orchestra, VFO. He is also involved in playing and teaching Swedish fiddle music and folk dancing.
see david here
see david here
Alex Kehler - Scandinavian, Breton
Although trained as a baroque violinist at McGill University, Alex has always had a love for fiddle music that dates back to his childhood in Nova Scotia. Currently living in the Eastern Townships of Quebec, his specialties include Celtic, Québecois, Scandinavian, Breton, Klezmer and he is at home in many other styles making him an exceedingly versatile player. He has always had a love for teaching and is becoming known for the Scandinavian workshops that he gives. His current projects include Soulwood, Alex Kehler & Nicholas Williams, Les Siffleurs de nuit, La Nef, and Skye Consort. Over the past 7 years his passion for Scandinavian music has made him a rare bird in North America, playing the Swedish nyckelharpa. As a Canada Council grant recipient he has had the opportunity to study with four renowned Swedish teachers: Magnus Holmström, Sunniva Abelli, Torbjörn Näsböm and David Eriksson. He also plays låtmandola, the Swedish equivalent to the Irish bouzouki. see alex here
Jeremiah McLane - Piano, Accordion
Accordionist Jeremiah McLane plays a wide variety of ethnic musical styles from Northern and Eastern Europe as well as American idioms such as jazz, swing, blues, and Zydeco. At this year’s Accordions Now Festival he is delighted to offer selections from the classical repertoire including works by composers Astor Piazzolla, Bela Bartok, Antonin Dvorak, Francis Poulenc and Alan Hovhaness as well as several of his own compositions. Jeremiah has taught and performed throughout the United States and Europe, including such venues as the Royal Festival Hall in London, and the Picolo Spoleto Festival in Charleston, South Carolina. He holds a Master’s in Contemporary Improvisation from the New England Conservatory of Music and teaches at St. Michael’s College in Burlington, Vermont. He has been on staff at numerous music programs throughout the country including The Augusta Heritage Arts Center, The Swanannoa Gathering, Ashokan Fiddle & Dance, The John C. Campbell Folk School, and Centrum’s American Festival of Fiddle Tunes. He has composed numerous pieces for film and theatre and has received National Public Radio's “favorite picks” award for his second solo recording, Smile When You’re Ready, and French music magazine Trad Mag’s “BRAVO” award for his fifth release, Hummingbird. see jeremiah here
Katie McNally - Scottish and Cape Breton Fiddle
A devoted teacher as well as a performer, Katie McNally grew up steeped in the vibrant Scottish and Cape Breton music community in Boston and is the 2009 New England Scottish Fiddle Champion. She was a student of Hanneke Cassel and has performed at venues such as Wolf Trap, Club Passim, The Freight and Salvage, Symphony Space, Brighton College in Brighton, England, and various folk venues throughout New England. Katie performs regularly with guitarist Eric McDonald, has been a member of the Boston-based fiddle supergroup Childsplay since 2009, and joined world-renowned Galician bagpiper Carlos Núñez on his first tour of North America in the fall of 2012. Her debut solo album, Flourish, was released in January 2013.
Lisa Ornstein - Québécois Fiddle, Old Time
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Fiddle virtuoso Lisa Ornstein is an outstanding interpreter of the traditional music of French Canada and Appalachia, blending compelling and inventive playing with impeccable tune choice. Befriended by North Carolina fiddle legend Tommy Jarrell while she was in her teens, Lisa quickly became an accomplished fiddler in the Round Peak style. A musical friendship with Franco-American fiddler Louis Beaudoin set her on a path to Quebec in 1978. When La Bottine Souriante — Quebec’s internationally renowned traditional supergroup — invited her to join the band, Lisa’s projected six-month stay began to stretch, eventually lasting twelve years. While in Quebec, Lisa spent countless hours visiting with older musicians and playing in kitchens and dance halls. She also squeezed in a master’s in folklore on the life and music of master fiddler Louis “Pitou” Boudreault. She has taught, concertized, and toured extensively in North America and Europe with some of Quebec’s finest musicians, and recorded for both Smithsonian Folkways and the Canadian Broadcasting Corporation. Her music appears on a number of La Bottine’s albums, and on critically acclaimed CDs with former bandmates André Marchand and Normand Miron.
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David Surette - Guitar, Mandolin
Widely acclaimed as one of New England’s premiere instrumentalists, David Surette is highly regarded for his work on the guitar (both flatpick and fingerstyle), mandolin, and bouzouki, in a wide variety of settings. As a soloist, he is nationally known as a top player of Celtic fingerstyle guitar. Yet his diverse repertoire also includes original compositions, blues and ragtime, traditional American roots music, and folk music from a variety of traditions, all played with finesse, taste, and virtuosity. David is an accomplished and gifted teacher who has taught at workshops and camps throughout the US, Canada, and the UK, including Swannanoa Gathering, Folkworks Summer School, Pinewoods Music Camp, Maine Fiddle Camp, and the Augusta Heritage Festival. He is folk music co-ordinator at the Concord (NH) Community Music School, and artistic director of their March Mandolin Festival. He has authored a book of Celtic fingerstyle guitar arrangements for Mel Bay Publications, and is a regular contributor to Acoustic Guitar and Strings Magazine. In 1994, Surette was awarded a travel grant from the National Endowment for the Arts to study the traditional music of Brittany, and has published a collection of Breton folk tunes. His most recent solo release is Northern Roots.
Pete Sutherland - Banjo, Shape Note, Singing
A warm-voiced singer, songsmith and accomplished multi-instrumentalist known equally for his potent originals and his intense recreations of age-old ballads and fiery fiddle tunes, veteran Vermont-based musician Pete has been on staff at dance and music camps and workshops coast-to-coast and is a widely-known year-round teacher and performer in the Champlain Valley. A Renaissance man of the folk arts, he is also a record producer, concert promoter, collage artist and author. His recent recordings include Streak o' Lean and The Wilderness Road. see pete here
Becky Tracy - Irish and Contradance Fiddle
There is nothing Becky Tracy likes better than to take a room full of fiddle players and fashion them into harmonious bowing beauties. Becky has certainly played around, being the longest surviving fiddle player with Wild Asparagus (20 years!) and the only fiddle player in the soulful but now defunct band Nightingale. She has a driving yet sweet sound to her playing and her awareness of what makes that happen has led her to be a popular teacher at music camps. Her playing has been shaped by the influence of teachers Brendan Mulvihill and Eugene O'Donnell and Lisa Ornstein as well as her many years of playing for dancing. Her solo CD, Evergreen, is an album of haunting beauty, intimacy and exuberance. see becky here
Nicholas Williams - Flute, Accordion, Singing
Nicholas Williams graduated from York University in Toronto where he studied world music, contemporary improvisation, and composition. Since then he has immersed himself in the world of traditional music, where he is most known for his distinctive and rhythmic style of flute playing. Drawing mainly from Irish and North Indian flute playing techniques, he is also influenced by the musical traditions of Quebec, Brittany, Sweden, and the US. A member of the group Crowfoot, Nicholas has toured extensively in the US, Canada, and the UK, playing for concerts, contra, and English dance events. He plays piano for Scottish country dance with fiddler Laura Risk and 'Les Joueuers de bon accord'. Nicholas currently lives in the Eastern Townships of Quebec. see nicholas here